I took this digital photograph of an Painted Lady butterfly recently in Chester New Jersey. Click on the picture to download or view the high resolution original. Zoom in to view the sharpness from the new Tamron 18-400mm ultra-telephoto all-in-one lens.
Tamron 18-400mm Macro Sample Image of an Painted Lady Butterfly. Straight Out Of Camera.
The Tamron 18-400mm F/3.5-6.3 DI-II VC HLD all-in-one lens was handheld in conjunction with the Canon SL2 Digital Rebel. I am extremely impressed by the fine detail resolved in this SOOC (straight out of camera) shot. The tiny hairs by the butterfly eyes are very well defined. I also like the pleasing bokeh of background flowers.
100% crop from above SOOC photograph
Tamron 18-400mm VC 100% Crop SOOC. Handheld at 400mm F/9 on Canon SL2. Photo by Dave Blinder
Tamron 18-400mm VC @ 400mm, Autofocus On, Vibration Compensation On
Canon SL2 in Aperture Priority Mode +2/3 exposure, AI Servo Focus
1/800 F9 ISO 800
Purchase the new Tamron 18-400mm from Amazon using my affiliate links (help support my blog)
Tamron 18-400mm for Canon – http://amzn.to/2xvjzbX
Tamron 18-400mm for Nikon – http://amzn.to/2xPqXj9
Canon EOS Rebel SL2 Digital SLR Camera Body Only – http://amzn.to/2xBsFU8
Do you have any questions about the lens, camera, or photograph? Any more sample images you’d like to see? Let me know.
Yesterday, while out doing local nature photography in Morris County, New Jersey, I decided to pair my Tamron 14-150mm Di III All-In-One lens with a set of Meike MK-P-AF3B extension tubes to my Olympus PEN EPL3 micro four thirds camera. The purpose of the extension tubes was to allow the lens to focus closer than normal. The main drawback of tubes is always the loss of infinity focus.
Below is my favorite shot from yesterday morning, and an uncropped one. It always becomes a visual exploration for me to photographically capture little segments of nature, especially with moving elements like water. The weathered Oak Leaf was a great secondary element, located just under the trickles of water. The trickles were falling off a mossy rock in a slight bend in the stream. Post-processing on the photo included a slight creative white balance shift, and also some reintroduction of contrast to the RAW file.
A closeup photo of three small trails of water descending around an old Oak Leaf in #NewJersey. Picture taken with the #Tamron 14-150mm All-In-One Lens, Meike AF extension tubes for close focus, and the #Olympus PEN E-PL3 micro four thirds camera.
Exposure settings: 1s F/9 ISO 200, 132mm
Tamron 14-150mm Di III All-In-One lens
Zeikos 52mm circular polarizing filter
Meike MK-P-AF3B extension tubes
Olympus PEN EPL3 m43 camera
Manfrotto 488RC2 ballhead
Benro carbon fiber tripod
For a quick look at the camera and lens setup, view on my Instagram account – http://instagram.com/p/wl108iKs_J/
Closeup photos of butterflies make for effective images because these insects are inherently “cute” or “beautiful” to us homo sapiens. Probably has to do with their harmless nature or being harbingers of warm weather. An important part of a quality butterfly photo is a clear view of the insect generally with minimal distractions in the nearby foreground and background. An attractive perch also makes a world of difference.
A recent butterfly macro photograph taken in Ocean County, New Jersey.
The above image was taken recently at Jakes Branch County Park in New Jersey. Equipment used: Tamron SP 90mm VC F/2.8 1:1 Macro Lens and a Canon EOS 7D DSLR. Handheld photo with the lens-based stabilization (VC) turned on. Camera settings: 1/160 shutter, F/7.1 ISO 200. More often than not I will shoot butterflies with an aperture of F/5.6 because it is one of the sharpest apertures of my particular macro lens. With sufficient planing of the camera, this can get a decent amount of depth of field on the subject as well. In this case, I decided to go with an aperture of F/7.1 to increase my chances of getting the eyes of both Sachems in focus. Still not an easy task with 2 moving wildlife subjects.
I shot approximately 12 frames very similar to this one, but each time I would angle the camera body very slightly to the left or right and try to get the eyes of both Skippers aligned to my focus point. When I magnify this particular frame on my computer I can see the detailed cells of the eyes on both butterflies without blur, so for me this is a keeper.
Weather permitting, I will be flying out of New Jersey to South Florida on Saturday morning in an attempt to capture as many aspects of nature as possible.
Tamron 70-300 VC, Tamron 90mm VC Macro, and Tamron 10-24mm
Utilizing Tamron’s line of professional grade lenses (SP), I should be ready to tackle scenery, details, and wildlife. All I need now is mother nature to cooperate!
I know this is a ridiculous looking photo, but this is actually my own image, and a setup that I do use from time to time. A great amount of my nature photography is wildlife based, and wielding a super telephoto lens around through the woods and wetlands means having a dedicated tripod with a heavy duty head. That is fine and good, but I hate being limited while I’m exploring, and feel a bit naked not having an easily tripod mountable macro or all-in-one lens to fall back on too.
Super Telephoto and Macro Lens Solution
Pictured here are two of my Canon DSLRs, the top camera with my Tamron 90mm VC macro lens is bound to my Canon 500mm f/4 setup via a Gorillapod Focus (portable tripod). Granted there are plenty of opportunities for the whole combination to swing and sway, yet I am still able to get some macro shots from the top camera using low ISO speeds for maximum image quality.
Note that I don’t walk around with them bound together like this, as it isn’t entirely stable. Generally I sling the big tripod + big lens over my shoulder, while wearing the smaller camera with Gorillapod connected to it around my neck. I connect the 2 setups only when I am going to shoot with the top camera. It ain’t foolproof and it ain’t pretty, but sometimes it does what I need it to do.
If you have a better solution, please let me know!
You wouldn’t believe the terrible condition this group of flowers was in. In fact, this particular petal was one of the few that wasn’t completely wilted. The vast majority of petals had already fallen to the ground as this photo was taken in early October and most blooming plants were WAY past their prime. I was quite surprised to stumble upon this small cluster of vivid flowers in a local park, but the overall scene was not pretty.
Positioning the tripod for a close photo was difficult. On a few early attempts, one of the tripod’s feet shook the plant during my setup process, causing most of the water droplets to fall off of the original petal I was trying to photograph. On a different attempt, I touched a petal to prevent two from intersecting…. this smudged the droplets and completely ruined the picture. I was also working against time, as bright morning sun is prone to burning dew and droplets off quickly.
It’s funny the small, yet important lessons you learn while photographing subjects like these. In this case: Handle with care, Be very mindful during tripod setup, and remember that many photographic opportunities are fleeting.
Water droplets on Flower Petal
I generally dread the onset of cold weather, because overall photographic opportunities seem to dwindle in my mind. However, I have recently delved further and further into the realm of macro photography and minimalistic foliage shots, a maturation of sorts.
This year I plan on embracing the cold a bit more, because with subject matter like frost, snow flakes, and patterned ice the possibilities are really limitless.
Frost Detail on Leaf
The above photograph was taken with my nifty new Tamron 90mm VC macro lens mounted on “old faithful”, my 18mp T2i. I set the center column of my Manfrotto 190xProB horizontal for precision low-level shooting for this photo.