Tamron 18-400mm F/3.5-6.3 DI-II VC HLD Full Resolution Macro

September in New Jersey can be a great time of year for photographing many type of caterpillars.  Monarch Caterpillars have especially nice patterning to them and I always look forward to capturing frames of them.  The cooperative caterpillar below provided a great opportunity to test the close-focusing ability of the Tamron 18-400mm F/3.5-6.3 DI-II VC HLD All-In-One lens.

Tamron macro lens for Canon

Tamron 18-400mm F/3.5-6.3 DI-II VC HLD All-In-One sample picture

The 18-400mm has a minimum focusing distance of 17.75″ (45cm) and a 1:2.9 maximum reproduction ration.  Translation = you can fill the well with small subject matter on this Tamron.  Download the full resolution straight out of camera (sooc) jpeg off my Canon Rebel SL2 from my Google Drive account

– https://drive.google.com/file/d/0BwfEzS2JEk2ESEFoaml2UXlNTlk/view?usp=sharing

Camera settings for this picture:

Tamron 18-400mm handheld and wide open aperture at 400mm + Canon SL2

1/1000 F/6.3 ISO 400, Vibration Compenation (VC) On

Looking to order this lens?  Buy it now from my Amazon Affiliate links and help support my blog.

Tamron 18-400mm F/3.5-6.3 DI-II VC HLD for Canon DSLRs – http://amzn.to/2xvjzbX

Tamron 18-400mm F/3.5-6.3 DI-II VC HLD for Nikon DSLRs – http://amzn.to/2xPqXj9

 

Do you have questions, comments, or feedback on this post?  Let me know!

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Hawk Watch with Pete Dunne

Hawk Watch with Pete Dunne at New Jersey Audubon’s Scherman Hoffman Wildlife Sanctuary​.  September 16, 2017.

I stopped over in Bernardsville on Saturday morning for a couple of hours to join in on the festivities. Hawkwatching is always a great reason to get outside, but having New Jersey’s most accomplished birding author Pete Dunne around is also a recipe for a good time.

Thanks also to Eric Stiles, Mike Anderson, Susan Garretson Friedman, and the other New Jersey Audubon​ staff behind the scenes who made all visitors feel welcome to this great free event.  Click on the thumbnails below to view larger photographs.

 

More details on the event in the Daily Record, write-up by Peggy Wright – http://www.dailyrecord.com/story/news/2017/09/16/eagle-eyed-watch-skies-hawk-migration/657970001/

Tamron 18-400mm Di II VC HLD does birds in flight

An unexpected recent handheld shot that worked out well for me.  I was outdoors photographing scenery and was fortunate to have the versatile Tamron 18-400mm Di II VC lens mounted to capture this Great Egret in flight.  The fine detail looks very good to me.

DaveBlinder GreatEgret Tamron 18400mm IMG_1601crop

Exposure details:

Tamron 18-400mm VC + Canon SL2 handheld

1/3200 F/8.0 IS 400

-1/3 in Aperture Priority exposure mode

AI Servo autofocus

Raw image quality

For a closer look at this image, please download the uncropped full-resolution image from my Google Drive account.

Tamron 18-400mm high resolution pictures

Full resolution sample images from Tamron USA‘s​ 18-400mm F/3.5-6.3 Di II VC HLD Model B028 ultra-telephoto all-in-one zoom lens

These are SOOC ( straight out of the camera ) JPEGs with no editing performed. Both shots are with the lens at full zoom, 400mm, at maximum aperture F/6.3 and taken on a 24mp SL2.

Tamron 18-400mm lens sample picture

Full Resolution SOOC sample image from the Tamron 18-400mm F/3.5-6.3 Di II VC HLD Model B028 ultra-telephoto all-in-one zoom lens. Taken on a 24 megapixel Canon SL2 by Dave Blinder. Order via my Amazon affiliate link – http://amzn.to/2eMYfUO Nikon Mount

Flower photograph camera settings:

Tamron 18-400mm F/3.5-6.3 Di II VC HLD Model B028

Canon EOS Rebel SL2 DSLR camera

Handheld with VC On (Vibration Control) at 400mm

1/640 F/6.3 ISO 400 using the Center Point One-Shot Autofocus and Auto White Balance

Tamron 18-400mm lens sample picture

Full Resolution SOOC sample image from the Tamron 18-400mm F/3.5-6.3 Di II VC HLD Model B028 ultra-telephoto all-in-one zoom lens. Taken on a 24 megapixel Canon SL2 by Dave Blinder. Order via my Amazon affiliate link – http://amzn.to/2eMYfUO Nikon Mount

Bee photograph camera settings:

Tamron 18-400mm F/3.5-6.3 Di II VC HLD Model B028

Canon EOS Rebel SL2 DSLR camera

Tripod-mounted VC Off (Vibration Control) at 400mm

1/60 F/6.3 ISO 800 using Manual Focus and Auto White Balance

 

Due to possible compression you may want to download the full pictures from my personal Google Drive – https://drive.google.com/open?id=0BwfEzS2JEk2EbTVRR01oTEwxaTQ

To order these lenses now try my Amazon Affiliate links (gives me a small commission):

http://amzn.to/2xle2W3
Canon Mount

http://amzn.to/2eMYfUO
Nikon Mount

Bird Photography in Cape May – American Goldfinch

I was recently down in Cape May to do some nature photography.  Since CM is the undisputed birding capital of New Jersey, it only makes sense to take a long telephoto lens along like the Tamron SP 150-600mm VC.  Below is one of my favorite captures from this excursion.

Bird Photography

A closeup view of a female American Goldfinch at rest on a Sunflower in Cape May, New Jersey.

Shutter speed: 1/500 Aperture: F/9.0 ISO: 200 in Aperture Priority Mode +2/3 Exposure Compensation.  The Focal Length is 500mm.  Other settings: VC On, Manfrotto tripod, Spot Metering, Manual White Balance on my Canon EOS 7D

There was a flock of at least 1 or 2 dozen Goldfinches busily feeding in this Sunflower Patch, but upon my approach they retreated to the trees which is the expected response from most songbirds.  Most wildlife is genetically imprinted to flee from humans, as they were historically a food source in the days when hunting was our only means of sustenance.  Experience and literature will tell us that individual bird species have their own expected “flush range”.  Meaning different birds will typically fly away faster than others.  In my personal experience, a very slow but direct approach on a feeding Goldfinch may occasionally get you as close as you want to get.

This particular female American Goldfinch did not fly when the rest of her flock retreated, instead it appeared to me that this bird was mostly basking in the warmth of the sunlight.  She was splitting her time between preening (tending to her feathers) and plucking seeds from the Sunflower head below her.  After years of bird observation, I could tell that this bird was relaxed because it showed no intention of flying away and also lacked the nervous head movements and body twitching that comes before the songbird flushes (flying away).  I got my tripod to the desired photographic height and slowly worked my way forward, one large deliberate by quiet footstep at a time.  The photo featured on this page is not cropped whatsoever and I would not have wanted to shoot it any tighter.  After I was done making my captures I exited the scene in the same slow and deliberate manner to not cause undue stress to the passerine (songbird).

Sea Isle Reflections

This is an impromptu composition that was dictated by the lighting conditions.  My intention for this night photography session was to photograph stars in the sky, but the punchy light from the moon and the promenade limited the definition possible in the sky.

Fine Art Landscape Photo

Fine Art Photograph taken at night at the Jersey Shore in Sea Isle City

The camera settings here are a focal length of 18mm, aperture at F/5.6 and ISO speed of 400.  Increasing the exposure would have blown out the highlights and decreasing the exposure would have rendered the scene too dark for my tastes.  I originally started off at a higher ISO but the image looked washed out so I lowered it a full ISO stop.  I do not shoot still photos in incremental ISO’s as anything other than native ISO values can deteriorate dynamic range or image quality.  Other settings: RAW file format, Auto White Balance, Mirror Lock Up, 2 Second Timer, VC (stabilization) off, tripod firmly in the sand

The composition in this photo is a pretty straight-forward rule-of-thirds setup.  The horizon is placed about 1/3 of the way down from the top of the frame and the houses occupy approximately 2/3 of the horizontal length of the frame.  Putting those elements dead center in the photo would have killed the dynamics in my opinion.

American Goldfinch DSLR video; filmed in Cape May, New Jersey

It was a real treat to get some close footage of our vibrant state bird recently.  I knew that I would want footage from several different angles to create diversity… even in a short wildlife video.  Varying the focal lengths and my angle of view on the birds was how I tackled that challenge.

Footage shot in 1080p at 30fps on the Canon EOS 7D with the tripod mounted Tamron SP 150-600mm VC zoom lens.  DSLR was set to the desired shutter speed of 1/60th of a second and I adjusted the aperture and ISO value to get as good of an exposure as possible for each clip.  Unfortunately it was a windy day so I had to strip the audio of the birds interacting and feeding.  I don’t think anyone would have enjoyed listening to the hissing and popping caused by the wind hitting the microphone outdoors.

Dusk at Sunset Beach

I was doing nature photography in various parts of Cape May this past Thursday, and had a gameplan to head to the well-known Sunset Beach area to try to make some photos of the setting sun.  My plan was foiled as the horizon clouded over as the sun began descending closer and closer to the horizon.

Cape May Dusk

A recent long exposure photo taken in Cape May, New Jersey.

With a fairly bleak sky I shifted my attention and tripod-mounted camera downwards to try to capture the water motion near the tideline.  For this capture, I have a circular 3-stop Neutral Density filter attached to my Tamron 18-270mm VC lens to allow more time for motion within the frame.  The resultant exposure time here was 30 seconds with an aperture of F/13 to have an expansive depth of field.  The ISO value of 100 provides the best image quality possible on current DSLR cameras.

The composition in this image incorporates the rule of thirds to draw the viewer in.  The dark rocks of the jetty occupy roughly 1/3 of the horizontal width of the frame and the sky occupies approximately 1/6 of the vertical height of the frame.  The misty water occupies the vast majority of the scene, but the rocks and the sky give a sense of scale and environment to the scene.

Lies brand t-shirt photoshoot

DRB Photo Gear

Dave Blinders Strobes, Camera, and Lens

I did a quick inpromptu photoshoot last night in Northern New Jersey for my friend Joe who runs his own small skateboarding T-shirt business in his spare time. Knowing in advance that I’d be working in close confines, I thought one Alien Bees AB800 Strobe with a stripbox style box, a Canon 580exII with Opteka grid, my Canon 60D dslr, and Tamron 18-270mm VC lens would allow me plenty of diversity and lighting and composing options.

rimlighting portraiture by drb

Joe in rim lighting

Tamron 18-270mm VC, Canon 60D, and gridded 580ExII off-camera to subject’s left

girls holding skateboard

Korynne and Carmela holding skateboard deck

Tamron 18-270mm, Canon 60D, and AB800 w/ stripbox angled slightly from camera right

man in skate tee

Joe wearing his own branded T-shirt

Tamron 18-270mm Lens, Canon 60D, Gridded Canon 580exII Speedlight angled from slightly above subject

girl in skateboard t-shirt

Korynne in navy blue Lies T-shirt

Tamron 18-270mm VC, Canon 60D, AB800 strobe slightly above and right of subject

man in skateboarding t-shirt

Joe wearing one of his designs in white

Tamron 18-270mm VC Lens, Canon 60D, Gridded 580exII Speedlight aimed towards subject’s chest, AB800 on minimum power from subject’s right

girl in skateboard t-shirt

Carmela wearing black Lies t-shirt

Tamron 18-270mm Lens, Canon 60D, AB800 in stripbox slightly above and right of subject

girl in skateboard tank top

Korynne wearing blue Lies tank top

Tamron 18-270mm VC Lens, Canon 60D, 580exII Speedlight w/ Opteka Grid coming in from camera left

If you have any questions about the equipment, techniques, clothing line, or contacting the models please leave your information in the comments section or contact me via facebook.