Tamron 18-400mm high resolution pictures

Full resolution sample images from Tamron USA‘s​ 18-400mm F/3.5-6.3 Di II VC HLD Model B028 ultra-telephoto all-in-one zoom lens

These are SOOC ( straight out of the camera ) JPEGs with no editing performed. Both shots are with the lens at full zoom, 400mm, at maximum aperture F/6.3 and taken on a 24mp SL2.

Tamron 18-400mm lens sample picture

Full Resolution SOOC sample image from the Tamron 18-400mm F/3.5-6.3 Di II VC HLD Model B028 ultra-telephoto all-in-one zoom lens. Taken on a 24 megapixel Canon SL2 by Dave Blinder. Order via my Amazon affiliate link – http://amzn.to/2eMYfUO Nikon Mount

Flower photograph camera settings:

Tamron 18-400mm F/3.5-6.3 Di II VC HLD Model B028

Canon EOS Rebel SL2 DSLR camera

Handheld with VC On (Vibration Control) at 400mm

1/640 F/6.3 ISO 400 using the Center Point One-Shot Autofocus and Auto White Balance

Tamron 18-400mm lens sample picture

Full Resolution SOOC sample image from the Tamron 18-400mm F/3.5-6.3 Di II VC HLD Model B028 ultra-telephoto all-in-one zoom lens. Taken on a 24 megapixel Canon SL2 by Dave Blinder. Order via my Amazon affiliate link – http://amzn.to/2eMYfUO Nikon Mount

Bee photograph camera settings:

Tamron 18-400mm F/3.5-6.3 Di II VC HLD Model B028

Canon EOS Rebel SL2 DSLR camera

Tripod-mounted VC Off (Vibration Control) at 400mm

1/60 F/6.3 ISO 800 using Manual Focus and Auto White Balance

 

Due to possible compression you may want to download the full pictures from my personal Google Drive – https://drive.google.com/open?id=0BwfEzS2JEk2EbTVRR01oTEwxaTQ

To order these lenses now try my Amazon Affiliate links (gives me a small commission):

http://amzn.to/2xle2W3
Canon Mount

http://amzn.to/2eMYfUO
Nikon Mount

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Opteka 15mm f/4 vs Tamron 15-30mm

I picked up a Opteka 15mm lens online to use as a lightweight backup lens for Real Estate Photography and also landscapes.  Unfortunately the Opteka 15mm f/4 LD UNC AL 1:1 Macro Wide Angle Full Frame Lens comes nowhere near filling the shoes of my Tamron SP 15-30mm VC F/2.8 lens.  As such, I can’t rely on the Opteka for any serious work.

Comparison test images below.  All shots taken on my tripod mounted full-framed Sony A7R I (using the Fotodiox Pro Canon EF adapter).  2 second delay and manual focus techniques were employed for both shots.  Exposure information – ISO 400, F/16.  0.3 second shutter speed with the Tamron and 1/10th second shutter on the Opteka yielded a similar brightness to the frame.

The upper left corners of the Opteka 15mm lens are fairly soft.  The upper right corners of the Opteka 15mm are extremely soft.  Center sharpness is surprisingly not bad.

See below to reach your own conclusion:

Tamron 15-30mm + Sony A7R Landscape Photography

Tamron SP 15-30mm VC + Sony A7R

Opteka 15mm + Sony A7R Landscape Photography

Opteka 15mm F/4 + Sony A7R

 

Tamron Upper Left Crop

Tamron SP 15-30mm Upper Left Crop

Opteka Upper Left

Opteka 15mm Upper Left Crop

 

Tamron Lower Left Crop

Tamron SP 15-30mm VC Lower Left Crop

Opteka Lower Left Crop

Opteka 15mm F/4 Lower Left Crop

Tamron Upper Right Crop 15mm

Tamron SP 15-30mm Upper Right Crop

Opteka Upper Right Crop

Opteka 15mm Upper Right Crop

Tamron Lower Right Crop

Tamron Lower Left Crop

Opteka Lower Right Crop

Opteka Lower Left Crop

Tamron Focal Point Crop 15mm

Tamron Focal Point Crop

Opteka Focal Point Crop 15mm

Opteka Focal Point Crop

 

Do you need digital photography lenses, cameras, or accessories reviewed and tested?  Send me an email at daveblinderphotography@gmail.com to get started

 

Intro to Landscape Photography Course- Visual Arts Center of NJ

I am very excited to be offering a 5 week course, Introduction to Landscape Photography, this fall on Thursday nights at the Visual Arts Center of New Jersey in Summit, New Jersey.

We will take a look at all of the building blocks in making a successful landscape image as well as the best camera settings and accessories. Given enough time, we will also broach on classic landscape compositions and modern digital landscape photography techniques. The goal is for participants to make consistently impactful photos and of course a greater appreciation for the arts.

WildcatRidgeLandscape.jpg

Landscape Photography (16F-1109)
Instructor: David Blinder
Experience Level: All Levels
Thursdays, 6:30 PM – 9:00 PM
5 sessions: Oct 20, 2016 – Nov 17, 2016
Members: $ 160.00 – Non-Members: 190.00
Lab Fee: $ 35.00

Registration info in link below:

http://public.artcenternj.org/public/AdultClasses.faces?medium=photography+%26+digital+media

Visual Arts Center.jpg

Sea Isle Reflections

This is an impromptu composition that was dictated by the lighting conditions.  My intention for this night photography session was to photograph stars in the sky, but the punchy light from the moon and the promenade limited the definition possible in the sky.

Fine Art Landscape Photo

Fine Art Photograph taken at night at the Jersey Shore in Sea Isle City

The camera settings here are a focal length of 18mm, aperture at F/5.6 and ISO speed of 400.  Increasing the exposure would have blown out the highlights and decreasing the exposure would have rendered the scene too dark for my tastes.  I originally started off at a higher ISO but the image looked washed out so I lowered it a full ISO stop.  I do not shoot still photos in incremental ISO’s as anything other than native ISO values can deteriorate dynamic range or image quality.  Other settings: RAW file format, Auto White Balance, Mirror Lock Up, 2 Second Timer, VC (stabilization) off, tripod firmly in the sand

The composition in this photo is a pretty straight-forward rule-of-thirds setup.  The horizon is placed about 1/3 of the way down from the top of the frame and the houses occupy approximately 2/3 of the horizontal length of the frame.  Putting those elements dead center in the photo would have killed the dynamics in my opinion.

American Goldfinch DSLR video; filmed in Cape May, New Jersey

It was a real treat to get some close footage of our vibrant state bird recently.  I knew that I would want footage from several different angles to create diversity… even in a short wildlife video.  Varying the focal lengths and my angle of view on the birds was how I tackled that challenge.

Footage shot in 1080p at 30fps on the Canon EOS 7D with the tripod mounted Tamron SP 150-600mm VC zoom lens.  DSLR was set to the desired shutter speed of 1/60th of a second and I adjusted the aperture and ISO value to get as good of an exposure as possible for each clip.  Unfortunately it was a windy day so I had to strip the audio of the birds interacting and feeding.  I don’t think anyone would have enjoyed listening to the hissing and popping caused by the wind hitting the microphone outdoors.

Photography with Intent

Photography with Intent

I did originally compose this shot (tripod mounted camera of course) putting the thick central line (gap in my exterior car panel) off-center as I find the compositional Rule of Thirds very effective. However, before pressing the shutter, I realized that the prominent diagonals (mud on my car), minimalistic subject matter, and a central divider would give this photo a “pop art” feel to it.

When I make photographs like this I know they will not be popular on my flickr page where “in your face” wildlife shots get me the most views. While I recognize that wildlife is still my bread and butter subject matter with my audience, I do my best to diversify at times without alienating my viewing audience.

Tamron 90mm VC macro lens, Canon EOS 7D DSLR, Manfrotto 190xProB tripod with 489rc2 Ballhead, F/22, ISO 100, 1.6s exposure, Aperture-priority mode, One-shot Auto-focus Mode near center of photo, 2 second timer, Mirror Lock-Up, RAW file format

Lies brand t-shirt photoshoot

DRB Photo Gear

Dave Blinders Strobes, Camera, and Lens

I did a quick inpromptu photoshoot last night in Northern New Jersey for my friend Joe who runs his own small skateboarding T-shirt business in his spare time. Knowing in advance that I’d be working in close confines, I thought one Alien Bees AB800 Strobe with a stripbox style box, a Canon 580exII with Opteka grid, my Canon 60D dslr, and Tamron 18-270mm VC lens would allow me plenty of diversity and lighting and composing options.

rimlighting portraiture by drb

Joe in rim lighting

Tamron 18-270mm VC, Canon 60D, and gridded 580ExII off-camera to subject’s left

girls holding skateboard

Korynne and Carmela holding skateboard deck

Tamron 18-270mm, Canon 60D, and AB800 w/ stripbox angled slightly from camera right

man in skate tee

Joe wearing his own branded T-shirt

Tamron 18-270mm Lens, Canon 60D, Gridded Canon 580exII Speedlight angled from slightly above subject

girl in skateboard t-shirt

Korynne in navy blue Lies T-shirt

Tamron 18-270mm VC, Canon 60D, AB800 strobe slightly above and right of subject

man in skateboarding t-shirt

Joe wearing one of his designs in white

Tamron 18-270mm VC Lens, Canon 60D, Gridded 580exII Speedlight aimed towards subject’s chest, AB800 on minimum power from subject’s right

girl in skateboard t-shirt

Carmela wearing black Lies t-shirt

Tamron 18-270mm Lens, Canon 60D, AB800 in stripbox slightly above and right of subject

girl in skateboard tank top

Korynne wearing blue Lies tank top

Tamron 18-270mm VC Lens, Canon 60D, 580exII Speedlight w/ Opteka Grid coming in from camera left

If you have any questions about the equipment, techniques, clothing line, or contacting the models please leave your information in the comments section or contact me via facebook.

Self-Critique on a photo I took today

Image

From a VERY quick walk in this frigid weather.

Instinctively, I critique all of my photos on a technical and compositional basis when I review them.

Sometimes I notice things I couldn’t see through the viewfinder. In this particular shot, the small brown blur towards to the top left is an “error” in my opinion. It’s probably a distant dead leaf, and I feel it detracts a bit from the photo.

I would have removed it physically if I had noticed through the viewfinder. However, I do not like to alter my nature shots in post-processing, and I prefer not to crop. I do my best to present the scene as it was. I did though, move the feather from a pricker bush on the ground, to an elevated and isolated branch to make the shot. It blew away seconds later and I’m lucky I got a shot at all.

I did shoot a few frames at an aperture of F/4 also (presented shot is F/2.8).  The increased aperture brought nice detail into the feather, however I did not like the background elements that starting coming into focus.

Sunset over Wetlands, Loxahatchee NWR

I just flew back home to NJ from Florida yesterday morning and I have lots of files (hopefully good ones to sift through.  I will be uploading new images from the trip regularly to http://flickr.com.com/davidraymond but I hope to provide some commentary and technique on individual photos on here as well.

Here’s one sample landscape image from the trip to take a look at it, meanwhile I’ve got to get back to the RAW file processing!

Florida Landscape Photograph

Sunset over Wetlands